I have been waiting and waiting for this. I still have one more category to go after today, but I have been anticipating this particular group of ten videos more than any others. Here are the top 10 dance music videos of all time:
10. Runaway - Kanye West, 2010. Directed by Fredrico Fellini & Stanley Kubrick.
Why yes, I am one of those who think Kanye will get the Grammy nod this year for My Beautiful Dark Twisted Fantasy, but that's not the point. This video is strikingly beautiful in its juxtoposition of ballet dancers, warehouse setting, and Kanye's rap, yet everything works more than anything the rest of us could have imagined. By far the most noteworthy excerpt from the full-length film. If you do still want to watch the whole thing, you can watch it here.
9. Like a Boy - Ciara, 2006. Directed by Diane Martel.
The choreography is great, but that's not even why it's here. Sure, Ciara isn't the only woman to ever try to use a music video to question gender roles, but here she plays both parts incredibly well, always looks super fly, and shows off her moves, which are as smooth as ever in this vid. I think we also get a kick out of watching Ciara grab her crotch and kiss her biceps.
8. Vogue - Madonna, 1990. Directed by David Fincher.
Perhaps I should have warned you, there is something about a black and white dance video, because this is clearly not the first and certainly won't be the last. The dance in this video is subtle, because Vogue is all about the relationship between style, grace, and attitude. But it is indeed a dance, and has inspired many partiers throughout the following decades to "strike a pose" whenever the moment deems it appropriate.
7. Alright - Janet Jackson, 1990. Directed by Julien Temple.
In the style of a 50's musical, we get to watch Janet have fun dancing around an old-school New York in a pinstripe suit. Madonna got to do Dick Tracy that year, and perhaps Janet got jealous and made this video? I dunno, but "Alright" is proving to stand the test of time, and even being referenced by other younger dancers like Usher (at 1:35 in this Janet tribute) and Chris Brown in Yeah 3x.
6. Tightrope - Janelle Monae, 2010. Directed by Wendy Morgan.
Perhaps I should have also warned you of the number of women in suits that appear on this list! Janelle Monae (if you don't know her, here's a blog I posted earlier this year) is a genius, and her feet are full of magic. As for the video, it has a great story, the production is perfect, and it makes us want to dance just like Janelle Monae, although most of us can't because of my previous sentence.
5. Party Rock Anthem - LMFAO, 2011. Directed by Mickey Finnegan.
I'm positive this is the only video from this year I'll have in any of my lists. I've hummed and hawed over it; how can we possibly know if this will stand the test of time? I guess we can't, and at the rate that many of us are watching it, there will likely come a time when we are so sick of shuffling. However, I'm not there yet, and this video has a hilarious concept, and some truly great hipster dancing... which until PRA, I had thought was an oxymoron.
4. Lose Control - Missy Elliott feat. Ciara & Fat Man Scoop, 2005. Directed by Dave Meyers.
This video reminds me of reminds me of a video game the way it finds itself in 5 distinct settings as if they are levels to achieve. Each one is full of stark and surprising visuals that incorporate some truly phenomenal dancing. Besides, even in real life the combination of Missy and Ciara is one of my faves to dance to!
3. Single Ladies (Put A Ring On It) - Beyonce, 2008. Directed by Jake Nava.
This has become the "R.E.S.P.E.C.T." of music videos; it is one of the most parodied videos of late; although attempted by many the dance is actually really difficult; and the whole thing - although Beyonce and her dancers are scantily clad - comes off as incredibly classy. It's because of this that "Single Ladies" has been elevated to legendary status.
2. Smooth Criminal - Michael Jackson, 1986. Directed by Colin Chilvers.
Although we don't understand what's going on (even in the context of Moonwalker - the film for which Smooth Criminal is the climax) we can't help but be sucked in to the general action of gangsters in a nightclub. Not only is it full of drama and intrigue and costume and swagger, but the quintessential Jackson moves that, for most of us, define our pop King.
1. Rhythm Nation - Janet Jackson, 1989. Directed by Dominic Sena.
The only person in the world that could beat MJ in a music video contest is his sister. Choreographed by Anthony Thomas (who also choreographed "Alright") this video uses a harsh militant routine that fits with the song and setting of an abandoned warehouse, and shows off Janet dancing unlike she ever has before (or after for that matter). With the very short exception of some solo dance moments, the group is always dancing together in tight formation to a street style that seems as though it musically and physically demonstrates what a true rhythm nation could be. Or perhaps it's just a lot of fun to dress up and look tough. Either way, I'm sold. Although it sounds crazy cheesy, and I know nostalgia is probably working against me, this video still has the power to inspire hope and desire for a better world. If you could stomach more of me praising JJ's Rhythm Nation, here's my blog devoted to the whole album.
Happy Dancing!
PS. I can't not mention the runner up for this list, because it was so hard to leave out. Another video by Wendy Morgan, this time for Gnarles Barkley's "Going On". Check it out if you have time and space to move in your seat. My other difficult choices in case you're interested, were MJ's Bad and Daft Punk's Around the World.
Showing posts with label michael jackson. Show all posts
Showing posts with label michael jackson. Show all posts
9.28.2011
9.08.2011
The Video Stars: Science Fiction Music Videos
Sci-Fi tends to be a popular genre for music videos, possibly because it's far easier to draw attention in a short amount of time, focusing on using special effects rather than storyline to convey an idea. I had the most difficult time yet in narrowing these down to only 10. So don't judge me too much if a favorite isn't here. Also, don't expect Thriller or anything else that appears in another list - I'm only considering any music video in one particular category.
10. Can You Feel It - Jackson 5, 1980. Directed by Bruce Gowers and Robert Abel.
I think in the end I couldn't not add this video, if for no other reason than it gives us historical context for MJ's relationship to music videos. For 1980, the visuals here are over the top and in our face, setting the standard early for Michael, and giving him a strong sense of relationship between song and video before many others ever did.
9. Home - LCD Soundsystem, 2010. Directed by Rick Darge.
Not so much the effects, but the plot in this one draws me in, as a robot tries to party all night with the local hipsters. I am pleasantly surprised with how easily I sympathize with this wordless and generally unimpressive robot.
8. California Love - 2Pac feat. Dr. Dre & Roger Troutman, 1996. Directed by Hype Williams.
A classic post-apocalyptic America set in 2095, where California
still knows how to party better than anyone. I'm not sure why they bothered to make a second video, but they did, so make sure you click the pic and watch the right one.
7. In This World/In My Heart - Moby, 2002. Directed by Stylewar.
Right up there next to E.T. and Wall-E, these are some of the most loveable aliens on film. Beautiful, emotional, and importantly for this particular top 10 list, Sci-fi.
6. Virtual Insanity - Jamiroquai, 1996. Directed by Jonathan Glazer.
I suppose this is supposed to be on another planet, although this is never explicit. Still, I would love to travel there one day. Jamiroquai put themselves on the pop map with not only this song, but this powerful visual to conect it with.
5. Sock it to Me - Missy Elliott, 1997. Directed by Hype Williams.
Missy is stylistically carving out an entire culture for herself in 1997 with this and Supa Dupa fly (with the help of Hype Williams' fisheye lens and Timbaland's beats). Here she takes inspiration the Mega Man music videos and creates some visual fun to go along with her audio good times. On another note, I wonder whatever happened to Da Brat's helmet... I would look boss in that thing.
4. Rockit - Herbie Hancock, 1983. Directed by Godley & Creme.
A lot is going on, not only in this video, but in music history. Here, Hancock is building a bridge between pop and jazz in an important way, and although it is moving towards the future, it still looks a little raw like the robotics in this vid.
3. Scream - Michael & Janet Jackson, 1995. Directed by Mark Romanek.
When I first heard about this video I was 13 years old, and I remember thinking, "Finally Michael and Janet together". And to this day when I watch it, although it's hard not to notice the amount of effort and money that went into this video, what gives it an unmatched charisma is the duo involved. Janet looks as boss as ever, and both of them are bound by both love and anger.
2. Intergallactic - Beastie Boys, 1998. Directed by Nathaniel Hornblower (aka: MCA of the Beastie Boys).
Parodies bode well for these boys, while Sabotage worked off of Crime TV, Intergallactic bows to Japanese monster movies. And what can I say, I am quickly acknowledging my soft spot for a dancing robot.
1. All is Full of Love - Bjork, 1999. Directed by Chris Cunningham.
Slightly eerie, incredibly beautiful, and impossible not to watch. An appropriate video of robotic love to a song composed entirely from "sounds inspired by machines" according to Bjork. With both sound and film, Bjork shows us how sexy machines can be. Who knew?
10. Can You Feel It - Jackson 5, 1980. Directed by Bruce Gowers and Robert Abel.
I think in the end I couldn't not add this video, if for no other reason than it gives us historical context for MJ's relationship to music videos. For 1980, the visuals here are over the top and in our face, setting the standard early for Michael, and giving him a strong sense of relationship between song and video before many others ever did.
9. Home - LCD Soundsystem, 2010. Directed by Rick Darge.
Not so much the effects, but the plot in this one draws me in, as a robot tries to party all night with the local hipsters. I am pleasantly surprised with how easily I sympathize with this wordless and generally unimpressive robot.
8. California Love - 2Pac feat. Dr. Dre & Roger Troutman, 1996. Directed by Hype Williams.
A classic post-apocalyptic America set in 2095, where California
still knows how to party better than anyone. I'm not sure why they bothered to make a second video, but they did, so make sure you click the pic and watch the right one.
7. In This World/In My Heart - Moby, 2002. Directed by Stylewar.
Right up there next to E.T. and Wall-E, these are some of the most loveable aliens on film. Beautiful, emotional, and importantly for this particular top 10 list, Sci-fi.
6. Virtual Insanity - Jamiroquai, 1996. Directed by Jonathan Glazer.
I suppose this is supposed to be on another planet, although this is never explicit. Still, I would love to travel there one day. Jamiroquai put themselves on the pop map with not only this song, but this powerful visual to conect it with.
5. Sock it to Me - Missy Elliott, 1997. Directed by Hype Williams.
Missy is stylistically carving out an entire culture for herself in 1997 with this and Supa Dupa fly (with the help of Hype Williams' fisheye lens and Timbaland's beats). Here she takes inspiration the Mega Man music videos and creates some visual fun to go along with her audio good times. On another note, I wonder whatever happened to Da Brat's helmet... I would look boss in that thing.
4. Rockit - Herbie Hancock, 1983. Directed by Godley & Creme.
A lot is going on, not only in this video, but in music history. Here, Hancock is building a bridge between pop and jazz in an important way, and although it is moving towards the future, it still looks a little raw like the robotics in this vid.
3. Scream - Michael & Janet Jackson, 1995. Directed by Mark Romanek.
When I first heard about this video I was 13 years old, and I remember thinking, "Finally Michael and Janet together". And to this day when I watch it, although it's hard not to notice the amount of effort and money that went into this video, what gives it an unmatched charisma is the duo involved. Janet looks as boss as ever, and both of them are bound by both love and anger.
2. Intergallactic - Beastie Boys, 1998. Directed by Nathaniel Hornblower (aka: MCA of the Beastie Boys).
Parodies bode well for these boys, while Sabotage worked off of Crime TV, Intergallactic bows to Japanese monster movies. And what can I say, I am quickly acknowledging my soft spot for a dancing robot.
1. All is Full of Love - Bjork, 1999. Directed by Chris Cunningham.
Slightly eerie, incredibly beautiful, and impossible not to watch. An appropriate video of robotic love to a song composed entirely from "sounds inspired by machines" according to Bjork. With both sound and film, Bjork shows us how sexy machines can be. Who knew?
8.29.2011
The Video Stars: Top 10 Action/Adventure
Here comes another 10 excellent music videos that you are going to
want to procrastinate by watching on youtube! Action/Adventure may not
be a normal category for music videos, but there are plenty of them.
Unlike drama, their stories may not always be crystal clear, but we're
kept engaged because there's always something happening: running,
jumping, fighting, swaggering... you name it.
10. Hungry Like the Wolf - Duran Duran, 1982. Directed by Russell Mulcahy.
This video was shot in Sri Lanka, which helps a lot with the Indiana Jones theme. For a video in the 80's, this actually looked a bit like a film and fit the imagery in the song without being too literal. (I am so grateful there are no hungry wolves running around in this!)
9. 99 Problems - Jay-Z, 2004. Directed by Mark Romanek.
This one comes with a warning - there's a bit of violence that you should know about before you watch. But you probably know that already, because the image is a powerful one that I think of nearly everytime I hear Jay-Z. I also regularly picture him in this video: black and white, walking around Brooklyn. This has less of a continuous plot as it is snapshots of being a black man in Brooklyn, but it still strikes me as action more than anything else.
8. Telephone - Lady Gaga & Beyonce, 2010. Directed by Jonas Akerlund.
Whether we like it or not, this has become somewhat legendary. The video has absolutely nothing to do with the song, and yet no one seems to care - it almost adds to the ridiculousness of the whole thing. This video has everything else you could imagine, and most things you never would (like cigarette shades). I still am not convinced why Beyonce would feel the need to pair up with Gaga, but in this instance it works. She was probably swayed with a promise she could drive the Pussy Wagon from Kill Bill.
I should probably add a warning to this as well, but I'm not exactly sure what I should say. Lady Gaga's purpose in life is to make you cringe or feel awkward, and Telephone is no exception.
7. Glosoli - Sigur Ros, 2005. Directed by Arni & Kinski.
Another beautiful video by this team, featuring beautiful Icelandic children in beautiful Icelandic scenery. A visual representation of JD Salinger's "Catcher in the Rye" quote about catching all the children jumping off a cliff. Clever and, well... beautiful.
6. Don't Come Around Here No More - Tom Petty, 1985. Directed by Jeff Stein.
Who would have thought Tom Petty would make such a fantastic Mad Hatter, and who would have believed his band could have depicted Alice in Wonderland in an even creepier fashion? Apparently both the song and video were inspired by Stevie Nicks, which may explain why they are so full of mystery and excellence.
5. Beat It - Michael Jackson, 1982. Directed by Bob Giraldi.
I can't believe I've posted this many videos before mentioning MJ. Don't worry, this won't be the last. His version of West Side Story is as good as anyone's, and kicks off his long music video legacy of teaching the world that all conflicts can be solved through dance.
4. Everlong - Foo Fighters, 1997. Directed by Michel Gondry.
I am committed to watching everything Michel Gondry has ever been a part of, and this is one of many reasons why. Here my favorite director collaborates with a band with a huge and creative imagination to create nothing if not a visually stimulating, action-packed spectacle. I wish my dreams were directed by Gondry.
3. Hoppipolla - Sigur Ros, 2005. Directed Arni & Kinski.
Another cinematic jewel from Iceland, this time featuring not the young, but the older. This has become basically a perfect depiction of what I want to be like when I am a senior citizen.
2. Sabotage - Beastie Boys, 1995. Directed by Spike Jonze.
A masterpiece parody of 1970's crime tv, complete with fake moustaches and plenty of chase scenes on foot and wheel. The Beastie Boys are masters of having fun and being filmed in the process, and nearly anyone who's seen this wishes they thought of it first. Brilliant.
1. Thriller - Michael Jackson, 1983. Directed by John Landis.
I'm sure you were expecting this at some point. The only difficulty I had was in deciding which category it should be considered in. But this is quintessential action. Although we all know the dance, and we love the sci-fi effects of 1983, ultimately this video is ingrained into our hearts and minds because it continues to be one of the best examples of a video with a plot. It's actually a little bit creepy - especially with Vincent Price and his pseudo-rap - and MJ makes a terribly convincing zombie. Music videos will forever pay homage to this with red jackets, mass choreography, and dancing zombies, and people everywhere will forever learn the choreography to show off at parties or in flash mobs. And all of these facts make the world a better place to live in. Thanks Michael.
10. Hungry Like the Wolf - Duran Duran, 1982. Directed by Russell Mulcahy.
This video was shot in Sri Lanka, which helps a lot with the Indiana Jones theme. For a video in the 80's, this actually looked a bit like a film and fit the imagery in the song without being too literal. (I am so grateful there are no hungry wolves running around in this!)
9. 99 Problems - Jay-Z, 2004. Directed by Mark Romanek.
This one comes with a warning - there's a bit of violence that you should know about before you watch. But you probably know that already, because the image is a powerful one that I think of nearly everytime I hear Jay-Z. I also regularly picture him in this video: black and white, walking around Brooklyn. This has less of a continuous plot as it is snapshots of being a black man in Brooklyn, but it still strikes me as action more than anything else.
8. Telephone - Lady Gaga & Beyonce, 2010. Directed by Jonas Akerlund.
Whether we like it or not, this has become somewhat legendary. The video has absolutely nothing to do with the song, and yet no one seems to care - it almost adds to the ridiculousness of the whole thing. This video has everything else you could imagine, and most things you never would (like cigarette shades). I still am not convinced why Beyonce would feel the need to pair up with Gaga, but in this instance it works. She was probably swayed with a promise she could drive the Pussy Wagon from Kill Bill.
I should probably add a warning to this as well, but I'm not exactly sure what I should say. Lady Gaga's purpose in life is to make you cringe or feel awkward, and Telephone is no exception.
7. Glosoli - Sigur Ros, 2005. Directed by Arni & Kinski.
Another beautiful video by this team, featuring beautiful Icelandic children in beautiful Icelandic scenery. A visual representation of JD Salinger's "Catcher in the Rye" quote about catching all the children jumping off a cliff. Clever and, well... beautiful.
6. Don't Come Around Here No More - Tom Petty, 1985. Directed by Jeff Stein.
Who would have thought Tom Petty would make such a fantastic Mad Hatter, and who would have believed his band could have depicted Alice in Wonderland in an even creepier fashion? Apparently both the song and video were inspired by Stevie Nicks, which may explain why they are so full of mystery and excellence.
5. Beat It - Michael Jackson, 1982. Directed by Bob Giraldi.
I can't believe I've posted this many videos before mentioning MJ. Don't worry, this won't be the last. His version of West Side Story is as good as anyone's, and kicks off his long music video legacy of teaching the world that all conflicts can be solved through dance.
4. Everlong - Foo Fighters, 1997. Directed by Michel Gondry.
I am committed to watching everything Michel Gondry has ever been a part of, and this is one of many reasons why. Here my favorite director collaborates with a band with a huge and creative imagination to create nothing if not a visually stimulating, action-packed spectacle. I wish my dreams were directed by Gondry.
3. Hoppipolla - Sigur Ros, 2005. Directed Arni & Kinski.
Another cinematic jewel from Iceland, this time featuring not the young, but the older. This has become basically a perfect depiction of what I want to be like when I am a senior citizen.
2. Sabotage - Beastie Boys, 1995. Directed by Spike Jonze.A masterpiece parody of 1970's crime tv, complete with fake moustaches and plenty of chase scenes on foot and wheel. The Beastie Boys are masters of having fun and being filmed in the process, and nearly anyone who's seen this wishes they thought of it first. Brilliant.
1. Thriller - Michael Jackson, 1983. Directed by John Landis.
I'm sure you were expecting this at some point. The only difficulty I had was in deciding which category it should be considered in. But this is quintessential action. Although we all know the dance, and we love the sci-fi effects of 1983, ultimately this video is ingrained into our hearts and minds because it continues to be one of the best examples of a video with a plot. It's actually a little bit creepy - especially with Vincent Price and his pseudo-rap - and MJ makes a terribly convincing zombie. Music videos will forever pay homage to this with red jackets, mass choreography, and dancing zombies, and people everywhere will forever learn the choreography to show off at parties or in flash mobs. And all of these facts make the world a better place to live in. Thanks Michael.
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